Directed by Debra Granik
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Winter’s Bone
Suppose
I told you that the Sundance favorite “Winter’s Bone” is
the saddest film I can recall seeing, you’d no doubt turn your radio
off and forget you ever heard about the film. On the other hand, you’d be
doing yourself out of one of the very best films of the year, because, like
any fairy tale, ultimately it’s not a sad film. It’s the story of a remarkable
17-year-old named Ree (played affectingly and
without self-consciousness by a 19-year-old television actress, Jennifer
Lawrence). She’s been
raising her young brother and sister, and taking care of her catatonic,
mentally ill mother, because her father has disappeared. That’s not so strange, since his
own life’s work has been to brew methamphetamine, and he’s run
away from a court date. But he
managed to put the house and his land up as part of his bail, and if he
doesn’t show up in court Ree and her siblings
will be out in the cold, to be taken away by the state or another of her
relatives. Let
me start again. We are in the
Ozarks of Missouri, where every house is unpainted, barely standing, and
every yard is full of broken cars.
Ree’s yard has a trampoline, and God
knows where it came from, but which shows that at one point at least, there
was a family who would do something about their children. Ree’s
siblings love to play on it. At
the same time we know that every one of Ree’s
relatives and neighbors is cooking meth just as fast as they can. They are as scary a group as you can
imagine, but Ree cannot, will not let go. She has an iron will that survives
every effort to turn her away. That’s
the situation in a nutshell, and the film is about Ree’s
trying to find her father and get him to court so the family won’t lose
the house. Yes, it doesn’t
sound very promising, but filmmaker Debra Granik,
working with co-scriptwriter Anne Rosellini from
the novel by Daniel Woodrell, has made it into a
profound and completely compelling film.
Andrew O’Hehir of Salon magazine calls
“Winter’s Bone” the film of the year. I said the film is sad, and it is, but
if you don’t experience the sadness, how will you ever experience joy? |