Directed by Roberto Rossellini
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Rome –
Open City There’s
a film you’ve probably never heard of, it’s sixty-five years old
this year, and it may just be the most influential film ever made, because
before 1945, when it was made, nobody had ever made a film like it, and since
then no one – anywhere in the world -- has made a film that
wasn’t influenced by it – directly or indirectly -- whether or
not the filmmaker ever saw the film or even heard of the filmmaker. The
filmmaker was an Italian named Roberto Rossellini, and the film was called
“Rome – Open City,” or just “Open City,” when
it was released in this country.
It’s the story of a couple of families in an apartment house
during the Nazi occupation; they go out to the bakery for bread, they fight
over ration coupons, one sister is comfortable with the Nazis, the other is
concerned for her husband who’s a runner for a Partisan group in the
mountains. The local parish
priest is also involved in putting out an underground paper, bringing money
to the Partisans, but there aren’t really any heroes. Then the Germans make a sweep of the
apartment house and take away all the men; including the priest. They’re going to interrogate
them to find out who their leader is, one of the
sisters is shot down trying to reach her husband in the police wagon, and the
rest of the film is concerned with what happens to the captured men. So
why is this film so influential?
Because they were just ordinary people, created for the film by
Rossellini, and he makes us care more for the captured men than we ever
thought possible. His style came
to be called Neo-Realism, because he made the film like a documentary of real
life instead of fiction, and nobody had ever made a film like that
before. In a couple of years another Italian |