Directed by Scott Cooper
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Crazy Heart
“Crazy
Heart” is like, surprise surprise, the lyrics
of a country music song, the kind that tells us here’s an old,
broken-down singer, reduced to playing bowling alleys for pocket change, who
then meets a woman he should have met thirty years before, and – well, let’s leave it there. I’ve already given away half the
plot. What
works for me in “Crazy Heart” and let me interrupt this review by
remembering that once, driving by myself through a long stretch of western
desert, I found a country-music station to listen to and in ten minutes I was
crying like a baby; I’m not immune to the power of country music. What
works for me, as I said, is that the story of an old, broken-down singer as
it unfolds on the screen becomes so much more than the clichéd lyrics
can convey. The main reason
is the brilliant performance by Jeff Bridges, as Bad Blake, the man whose
stardom and magnetism are all but gone by the time we meet him. Maybe not quite: he still can draw
groupies even to a bowling alley, in spite of the fact that he’s an
alcoholic, he smokes like a chimney, and he’s near death from
emphysema. “Crazy
Heart” might even have ended there, but then Bad Blake meets the woman
who just might save him.
It’s Maggie Gyllenhaal, a would-be
journalist in Santa Fe, with a four-year-old child of her own, who wants to
interview him for the paper. They
start by circling each other – “What’s your real name,
Bad?” she says. He
won’t tell her. “Are
you married?” “Five
times – well, four actually.” And somehow the actors make us believe
that these two unlikely people could actually fall in love with each
other. For Bad, it’s a kind
of new anchor for his life, and he bonds with Gyllenhaal’s
little son. Soon
he’s writing songs again, urged on by his agent and by his one-time
acolyte Tommy Sweet (beautifully played by Colin Farrell), who’s now a
country music headliner. In fact,
in one lovely scene at a huge venue where Bad is now opening for Tommy, the
musical highlight of the film is that the two sing a great duet together. The
music in “Crazy Heart,” a combination of old country standards
and new songs written by T Bone Burnett and Stephen Bruton,
is never the kind of embarrassing let-down you might expect from a film of
this kind. The songs are
beautiful, and we in the theatre are as affected by them as the folks in the
bowling alley. Director Scott
Cooper has a wonderful feel for the story and the places across the west that
it’s set in. And Jeff
Bridges is brilliant as Bad Blake; it’s no wonder he’s been
nominated for an Academy Award. |